A Hoodoo Machine; or, The Motor Boys' Runabout No. 1313. — A Closer Reading

(0 User reviews)   515
Matthews, Stanley R. [Adapter] Project Gutenberg 2016 Not confirmed
Adventure stories; Automobiles -- Juvenile fiction; Dime novels; Mechanics -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 37,042
Reading time 162 min
Text sections 26

The catalog record for A Hoodoo Machine; or, The Motor Boys' Runabout No. 1313. — A Closer Reading provides practical reading context through 37,042 words, 2 hr 42 min estimated reading time, and 26 detected text sections.

The text analysis averages about 13.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

This editorial note examines how the opening, middle, and later excerpts of this 1909 dime novel guide a first reading, focusing on the hoodoo car, the trio's banter, and Uncle Tom's rescue.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

HAPTER I. THE CAR THAT WOULDN’T BEHAVE.

“Sufferin’ whirligigs, Pard Matt! Look at that bubble wagon! Is it trying to turn a handspring, or ‘skin the cat,’ or climb that telephone pole? I reckon the longhorn up front don’t know how to run the thing. Either that, or else he’s ‘bug’ with a big ‘B.’”

“I should say it’s the car that’s ‘bug,’ Joe. The driver seems to be trying to control the machine in the proper manner, but it won’t be controlled. What’s your notion of it, Billy?”

“Hoodoo car, Matt. Look at the number of her--thirteen thirteen. Double hoodoo. You couldn’t expect no chug wagon with such a tag to behave anything else than disgraceful. Lo and behold you, if she don’t turn turtle in the ditch before she goes many more miles then my name’s not Billy Wells. Watch ’er; keep your eye on ’er an’ I’ll bet you see something.”

The three boys were driving along the Jericho Pike well toward Krug’s Corner--Matt King, Joe McGlory, and Billy Wells. Billy belonged with a New York garage from which the boys had secured the touring car they were using that morning. He was a living road map, this Billy, and could go anywhere up-state, or over Long Island, or in Jersey on the darkest night that ever fell, and he knew every minute just where he was.

Matt was doing the driving, and Billy sat beside him as guide, counselor, and friend. In the back of the machine was McGlory.

That was Thursday. Matt and his chum were heeding a summons that carried them toward the Malvern Country Club, near Hempstead. After transacting their business at the Country Club--they did not know what it was, but believed it would not take them long--they were planning to return to Krug’s Corner for their noon meal, and then back to Manhattan by Jackson Avenue and the Williamsburg Bridge. But plans are easily made, sometimes, and not so easily carried out.

The day was bright, the roads were good, and the motor boys were enjoying themselves. Well along the Jericho Pike they had come up with a white runabout, two seats in front and a deck behind, and the actions of this car aroused their curiosity to such an extent that Matt slowed down the big machine in order that he and those with him could follow and watch the performance.

There was only one passenger in the white car, and he was having his hands full.

The runabout would angle from one side of the road to the other, in apparent defiance of the way the steering wheel was held, and sometimes it would go its eccentric course slowly and sometimes with a rush--so far as those in the other car could see--without any change in the speed gear.

The driver of the runabout worked frantically to keep the machine where it ought to be, but the task was too much for him.

Once a telephone pole gave him a close shave, and once his unmanageable car gave a sidewise lurch that almost hurled it into a machine going the other way.

“What’s the matter?” Matt hailed.

The man in the runabout looked around with a facial expression that was far from angelic.

“If I knew what was the matter with this confounded car,” he cried in exasperation, “do you think I’d be side-stepping all over the road the way I am?” Then, muttering to himself, he humped over the steering wheel again.

“He’s happy--I don’t think,” chuckled McGlory. “The car’s getting on his nerves.”

“A car like that would get on anybody’s nerves,” commented Billy. “The number’s enough to set mine on edge. Thirteen’s unlucky, no matter where you find it. That’s right. And when you get two thirteens bunched together, you’ve sure got a combination that points a car for the scrap heap. I wouldn’t hold down the cushions in that roadster for all the money in New York. No, sir, that I wouldn’t,” and Billy shook his head forebodingly.

“Oh, splash!” scoffed Matt. “When a car fools around like that, Billy, there’s something wrong with its internal apparatus.”

The story opens with a freight train bearing down on a runaway runabout, number 1313, whose driver seems unable to control it. The first chapter, titled “The Car That Wouldn’t Behave,” immediately establishes the central conflict: a machine that defies its operator. The three boys—Matt King, Joe McGlory, and Billy Wells—watch from the Jericho Pike, their dialogue mixing slang and superstition. Billy declares the car a “hoodoo” because of its double-thirteen tag, a claim that sets the tone for the mechanical mischief to follow. The excerpt shows the car as an active antagonist, swerving and threatening to “turn turtle,” while the boys’ banter reveals their distinct voices: Joe’s colorful exclamations, Billy’s folk wisdom, and Matt’s calm assessment. This opening primes readers for a tale where the machine itself is the puzzle.

The Hoodoo Car as Character

The runabout number 1313 is not merely a vehicle but a source of agency and mystery. From the first chapter, it “won’t be controlled,” and Billy’s superstition about the number is echoed in the title. The car’s behavior—wild, unpredictable, nearly causing a collision—suggests a mechanical curse rather than driver error. Later excerpts, such as Chapter XI, show the car being moved without Matt’s knowledge, hinting at a larger scheme. The hoodoo motif recurs in the dialogue: Joe’s “sufferin’ whirligigs” and Billy’s “double hoodoo” frame the car as a supernatural force. Readers should watch how the machine’s actions drive the plot, often independent of human intent.

Voices of the Motor Boys

The three protagonists are distinguished by their speech patterns. Matt King speaks in measured, logical sentences, as when he says “I should say it’s the car that’s ‘bug.’” Joe McGlory uses hyperbolic exclamations like “Sufferin’ whirligigs” and “bug with a big ‘B,’” while Billy Wells relies on folk sayings and superstition. This vocal variety creates a natural rhythm in dialogue, with each boy reacting differently to danger. In Chapter XI, Matt’s internal questioning—“Why hadn’t McGlory and Levitt gone to the city?”—shows his analytical mind at work. The interplay of these voices, especially in tense moments, gives the story a conversational energy that propels the reader through the dime-novel format.

Uncle Tom’s Role and Dialect

In Chapter XI, Uncle Tom emerges as a key ally, speaking in a heavy dialect that marks him as a stock character of the period. His lines—“Marse Kelly would kill me daid”—and his faulty arithmetic (“five times fo’ is fifty”) reflect racial stereotypes common in early 20th-century adventure fiction. Yet his actions are heroic: he risks his job to free Matt, showing loyalty and courage. The excerpt reveals his physical frailty (“rheumatic legs”) and his fear of Kelly, but also his determination. Readers should note how Uncle Tom’s dialect contrasts with the boys’ speech, and how his character serves both as comic relief and as a plot device to enable Matt’s escape.

Structure and Serial Pacing

As a dime novel from Brave and Bold Weekly, the story is built for serial consumption. Each chapter ends with a cliffhanger or a new complication. The opening excerpt throws the reader into immediate peril; later chapters, like “Uncle Tom Again,” resolve one crisis while setting up another. The table of contents shows a mix of action (“HURLING A BOMB”) and mystery (“A STARTLING MYSTERY”). The pacing is swift, with short chapters and frequent shifts in location—from the Jericho Pike to the garage to the golf links. Readers should expect rapid scene changes and a focus on immediate events rather than deep characterization. The serial format rewards attention to recurring details, such as the car’s number and the characters’ catchphrases.

For a first reading, pay attention to how the car’s hoodoo reputation evolves from a joke into a genuine plot driver. The excerpts suggest that the machine’s misbehavior may be linked to human scheming, not just bad luck. The boys’ distinct voices and Uncle Tom’s dialect offer clues to the story’s social assumptions and its serialized structure. Let the rapid pace carry you through the chapters, and note how each twist redefines the central mystery of the runabout.

Some afternoons I think of that hoodoo runabout, all rattling charm and stubborn luck, and how its boys trusted the machine despite every grumble. There’s a similar warmth in With the Indians in the Rockies — Reading Notes—a quiet faith in rough country and older friends, a companionship that asks nothing but patience. Two books, different trails, same steady heartbeat.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What did you think of this book?

Answer a few questions and save a private reflection on this device.

Your progress 0 / 10
1

Where are you in your reading?

2

How did the book work for you overall?

3

Would you pass this book on to a friend?

4

How much effort did this book require?

Related eBooks