Double Challenge — Reading Companion
Edition facts
The catalog record for Double Challenge — Reading Companion provides practical reading context through 48,864 words, 3 hr 33 min estimated reading time, and 5 detected text sections.
The text analysis averages about 12.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Hunting stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
These were the bucks that were known throughout the Mahela, and far beyond it, as Damon and Pythias. All who'd seen them thought that either one, if bagged, would set a new record. But so far, both had carried their antlers safely through several hunting seasons and from the lazy way they posed on the mountainside, they might have been two gray steers in any farmer's pasture. The appearance was deceptive, though, and Ted knew it. Let anything at all excite either buck's suspicion and they'd prove their mettle. Ted rubbed Tammie's head reflectively.
"There they are," he observed, "and one of these days I'm going to hang one of those heads over our fireplace."
Tammie yawned and Ted laughed. "Okay, so I'm bragging again. But I'm still going to do it. Let's go, dog."
Having seen what he had come to see, he struck back down the mountain, through the forest of massive, gray-trunked beeches that marched like rows of orderly soldiers in all directions. Forty-five minutes later he emerged into his father's clearing.
No shanty or casual cabin, but a solid log structure built by a master craftsman, the house was set back against the line of trees. Artfully designed, it belonged exactly where it was and as it was. The Harkness house fitted the Mahela as well as did the big beeches against which, and of which, it was built. With a wing on each side and a covered porch that jutted forward, somehow the house itself seemed to hold out welcoming arms. A huge brick chimney told of the big fireplace within.
To one side was a shed, half of which formed a home for the few chickens Al Harkness saw fit to keep. There were never fewer than six of these and never more than ten, just enough to furnish Ted and his father with the eggs they needed and to provide an occasional fowl for the pot. The other half of the shed was a storage place for tools.
Behind the house was another, larger shed which sheltered a gasoline engine and buzz saw and provided a place for Al to take care of the furs, wild honey, herbs and other treasures that he brought in from the Mahela. In front stood the game rack, a cross pole mounted on two heavy timbers imbedded in the ground. Here hung the deer and occasional black bear that Al, Ted and their guests brought down.
To one side lay the garden, big enough to provide all the vegetables the Harknesses needed but not big enough to make a glaring scar in the beech woods. As a protection against raiding deer, this garden was surrounded by an eight-foot fence. The road to Lorton ran about sixty yards in front of the house but was hidden from it by trees. Beside the road was the high line with its two wires stretching into the house. There was a rutted drive that served as an entrance and exit for the battered pickup truck which was all the car Al Harkness had ever thought he needed.
When the boy and dog entered the clearing, Tammie raced ahead and streaked toward the work shed. Knowing his father would be there or Tammie wouldn't have gone, Ted strolled up and looked in at the open door. Sitting on a wooden chair with a broken back, Al Harkness was using his hunting knife to put the finishing touches on a board over which, when the time was right, a mink pelt would be stretched. He looked up and said, "Hi, fella."
"Figgered that out all by myself, when your dog came in to say hello." Tammie was sitting near, watching Al work. For a moment, Ted watched, too.
Perfectly-shaped, with exactly the right taper, the board upon which Al worked did not vary a hundredth of an inch from one side to the other. Al, who got more money for his furs than other trappers did because he took better care of them, sliced off another shaving and squinted down the board. A big man, he seemed as rugged as one of the giant beech trees. His brows jutted out like stone crags, while the eyes beneath them were gentle. But they were gentle in the manner of a soft wind that can become a fierce gale. There was something about him that was more than faintly akin to the grouse Ted had held in his hand, the rugged summit of Hawkbill, and the two immense bucks he had seen. Al Harkness would be out of place anywhere except in the Mahela.
"What'd you see?" he asked.
"Damon and Pythias," Ted answered happily. "Anybody who thinks they had a rack of horns last year should see them now!"
"Where they hangin' out?"
The excerpts from Jim Kjelgaard's Double Challenge open with a precise, sensory-rich hunting scene: Ted Harkness climbs Hawkbill, a non-stop ascent that few manage, while his tricolored collie Tammie stalks and catches a young ruffed grouse. The description of the fallen tree, the seven bobtailed grouse, and Tammie's catlike stalk grounds the story in specific woodland observation. Later, the tension shifts sharply when Sheriff Jack Callahan arrives at Ted's camp, revealing that Ted's father is wanted. The catalog subjects list hunting, deer, and collie, but the excerpts show the collie's role is central—Tammie is not just a pet but an active partner in evasion, as when he sheds a pack and returns to Ted, narrowly avoiding detection. The story balances outdoor craft with a fugitive plot, though the father's crime and the full scope of the challenge are not disclosed in these passages.
The Collie's Role Beyond the Hunt
The catalog lists Collie -- Juvenile fiction as a subject, and the excerpts confirm Tammie is far more than a background pet. He is a skilled hunter: he catches a young grouse on command, stalking it with catlike precision. But his intelligence extends beyond hunting. When Ted tries to send him away with a pack, Tammie unclasps the buckles, sheds the pack, and returns to the cabin, whining at the back door. This act of disobedience saves him from being sent to Al and keeps him with Ted during the sheriff's visit. The collie's actions drive key plot points—his return nearly exposes Ted's deception, yet his presence also provides comfort. Kjelgaard gives Tammie agency: he makes choices, like leaping at Ted's hand to play, that reveal a personality beyond simple obedience. Readers see a dog who is both a tool and a companion, whose loyalty complicates the human conflict.
The Sheriff's Uneasy Authority
Sheriff Jack Callahan appears in the excerpts as a complex figure, not a mere antagonist. He admits he has had to hurt people he would rather not bother, and he tells Ted, 'When I swore to uphold the law, I didn't make any exceptions.' This statement, combined with his promise to give Ted's father 'every break,' suggests a reluctant enforcer. Callahan's sharp observation—he notices Tammie's whine and nearly catches Ted hiding the dog—shows he is not easily fooled. Yet he also shows warmth, complimenting Tammie and expressing hope that the woodcock flight will help Ted's camp rental. The catalog subject Hunting stories might suggest a focus on outdoor action, but the excerpts reveal a moral tension: the law is personified by a man who is both a threat and a sympathetic figure. The reader is left wondering how Ted's father's trouble will intersect with Callahan's sense of duty.
Setting as a Character: Hawkbill and the Camp
The excerpts establish a vivid, specific setting that shapes the story's mood. Hawkbill is described as the highest point in the Mahela, forested except for its summit, and Ted's non-stop climb marks him as physically capable. The fallen tree with unshriveled leaves, the young grouse, and the beech trees create a tangible woodland. Ted's camp is rented for five weeks, and he hopes to extend it for woodcock season—a detail that roots the story in a seasonal, working landscape. The setting is not just backdrop; it is a source of conflict and resource. Ted plans to find the pack Tammie shed before Callahan returns, using his knowledge of the area. The catalog subject Deer -- Juvenile fiction is not directly evident in these excerpts, but the emphasis on hunting and tracking suggests deer may appear later. The setting provides both beauty and practical challenges, from climbing to evading detection.
These excerpts offer a focused look at the early chapters of Double Challenge, but they leave key questions unanswered: What crime has Ted's father committed? How will Ted and Tammie navigate the threat of the sheriff? The catalog subjects hint at deer and hunting, but the excerpts emphasize the collie's cleverness and the moral complexity of law enforcement. Readers should pay attention to how Kjelgaard uses small details—like Tammie's whine or the sheriff's grin—to build tension. The story appears to be as much about loyalty and survival as about hunting, and the full arc of the 'double challenge' remains to be discovered.
Sometimes I finish a story like Double Challenge — Reading Companion and find myself thinking about the weight of unspoken family histories, the quiet strain beneath everyday routines. That feeling carried me back to an afternoon spent with Mildred at Home: With Something About Her Relatives and Friends. A sequel to Mildred's married life. — Edition Insights, where the same tenderness for difficult kin lingers between the lines, unhurried and familiar.
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